Our city councilor Ben Henderson has pride!
A reminder of Israeli apartheid...
Pretty darn awesome.
LGBT community of Fort MacMurray... that would be pretty hard...
Also pretty darn awesome.A few weeks ago the Weakerthans played a series of four concerts in their hometown, one for each of their albums. Their last concert was at the Burton Cummings Theatre in Winnipeg was without a doubt a once in a lifetime experience. The band played all four of their albums in a row to a hometown crowd, from their most recent album Reunion Tour to their first album Fallow.
I have been a Weakerthans fan since 2005 when I saw them perform at the Edmonton folk fest. For some reason or another, my nine year old self really liked their music and I have been a huge fan ever since! Perhaps this was because of their interesting lyrics or their Canadianess, but whatever the reason, they remain to this day to be my favourite band. I saw the band again when they came to Edmonton but I have always wanted to see them perform in their hometown, so for me that Saturday night really was the concert of a lifetime.
It was great to hear the Weakerthans play in Winnipeg, especially in such an historic theatre as the Burton Cummings. I’ve always wanted to hear John K Samson perform his song “One Great City” and hear him sing the lines the Guess Who sucked and I hate Winnipeg in this theatre along with hundreds of other Winnipeggers. I had been looking forward to that song in that theatre for the weeks leading up to the concert, and when the moment finally came it definitely didn’t disappoint.
For some bands, where you see them perform doesn’t matter, but for a band like the Weakerthans it’s different. The fact that I was seeing them perform in Winnipeg was what made the concert so great. I think that this is because Winnipeg is featured in so many of the Weakerthans’ songs. Not only that, but what is also special is that this band seems to share a very strong connection with their hometown audience because they can relate about so many of the same feelings.
For instance, in their song that I had previously mentioned “One Great City” at first glance seems like a song talking about how the band hates Winnipeg. However if you know Winnipeg then it is obvious that John K is singing about the unique love-hate relationship that Winnipeggers have with their city. The stereotypes often associated with Winnipeg may be true; cold winter and lots of mosquitoes in the summer, but many people living in Winnipeg would never dare leave because of their strong attachment and deep feelings for the town.
This concert definitely required a lot of stamina, both for the performers and the audience. Imaginary Cities (also from Winnipeg) opened for the Weakerthans and after their one hour performance the main act played for another four hours! Nearing the end of the night, John K. Samson stated that they would never do this again, so all those people at that concert really made Weakerthans history! However from my perspective, even though the concert was a bit lengthy, it was definitely worth it.
I served a three coarse meal, all of which turned out very well. The meal started off with a plantain soup and corn bread, plantains are a very popular food to cook with in Ecuador. Next I served black beans with rice, which is a very common dish throughout Latin America. To finish off I served an Ecuadorian-style lemon curd with vanilla ice cream (I'm not so sure if the ice cream is all that Ecuadorian but the lemon curd sure is!)
Iceland's Emotional Landscapes from Isaac Wurmann on Vimeo.
I had not previously heard of Young Galaxy, but I liked what I heard last night! Throughout the concert Stephen Ramsay (lead guitarist and vocals) constantly reminded the audience that “even though we’re in a nice theatre, this is still supposed to be a rock concert!”
And rock out they did! All members of the band seemed very into the music, including Edmonton-raised bassist Stephen Kamp and lead vocalist Catherine McCandless who actually broke her tambourine during the performance. Although they tried to come across as a more rock influenced band, my favourite song of their performance was their slower and more melodious song entitled “Firestruck”.
After the intermission came the act that everyone was waiting for. At the beginning of Young Galaxy’s performance the “shoebox” shaped Winspear was nowhere near full, but throughout the opening act more people started to come in and by the time intermission came around the Winspear was packed with people! It surprised me that there was such a large turnout on Halloween night, but I guess those Stars fans are dedicated!
Lead vocalists Torquil Campbell and Amy Millan burst onto the stage at the start of their performance. They immediately began throwing roses into the crowd and yelling at everyone to get onto their feet – now that’s an entrance.
Throughout the rest of the concert the crowd stayed on their feet and the band members kept throwing roses at the audience. It gave the concert a much more intimate feel, like we were on the same level as the band and we weren’t just sitting down passively listening. I think that it takes a great band to be able to achieve that feeling.
From my point of view in the audience I could tell that there were many people in the crowd with me who really know Stars’ music very well. Apparently Amy Millan could also tell this because near the beginning of the performance she remarked that “it feels like you’ve been with us for a very long time.” Because of this long relationship that so many people have had with the band the crowd was really involved. During songs like “Take Me To The Riot” and “Dead Hearts” the whole crowd was singing along.
Just as well though the crowd was able to be quiet and really enjoy the nice acoustic performances such as the song “Ageless Beauty” which feature Amy Millan on vocals and Evan Cranley on acoustic guitar.
Upon reflection it seems very fitting that Stars’ concert was on Halloween. Their newest album is called The Five Ghosts and numerous songs of theirs have somewhat Halloween-ish titles. For example “Dead Hearts” and “I Died So I Could Haunt You.” While my friends in Grade 9 and from my Junior High school were out trick or treating I can’t think of any other place that I would rather have been on October 31st.
That article was also posted on SEE Magazine's Gig Bytes blog. Here are some links to some of the songs that I talked about in the article: Firestruck, Take Me to the Riot, Ageless Beauty (acoustic) and Dead Hearts.
New Orleans has long been known for its music and festivals and is often referred to as the “most unique” city in the United States. Unfortunately, this distinctive city has also experienced more than its fair share of disasters in the past few years. At the Edmonton FolkFest this year, New Orleans native John Boutté played for his first time at Edmonton’s festival, and I had the chance to talk with him about his music as well as his interesting birthplace.
“New Orleans is such a beautiful musical city, we’ve got jazz of course, but we also dance the bamboula, we have the French Opera House, we have Spanish influence, classical music, marching band music and gospel of course. So the whole amalgamation of these sounds is just kind of like a backdrop, it’s like the highway, you can always hear it passing,” Boutté spoke fondly of his hometown during an interview at the FolkFest.
In the past five years, New Orleans has been hit hard by many disasters. The 2005 hurricane season was particularly difficult for the city with Hurricane Katrina striking the city in August and Hurricane Rita postponing restoration of the city when it hit in September of the same year. More recently, the BP oil spill in the Gulf of Mexico affected the city when oil washed up on wildlife refuges and seafood grounds on the Louisiana coast.
However through all these disasters, the people of New Orleans still keep coming back home, “I think we have no other choice,” explains Boutté, “there’s no room for us anywhere else, where are we going to go? I don’t think that anybody from New Orleans wants to live in Kansas, I mean Kansas is okay, but New Orleans is the centre of the universe... for me.” After Katrina, John Boutté was one of the first musicians to come back. “The Katrina event, I’d like to call it... it just really made me appreciate what we had, because sometimes you have things but you don’t appreciate it until it’s almost gone.” 
In the case of two of the worst disasters that New Orleans has experienced over the past five years, people have been blaming the government. “I think that we always like to point the finger at the government, but we are the government. We’re the ones who put them in office.” John Boutté also explained to me that he has a “large scepticism” towards larger organizations like the government or the church. “Katrina was a ‘SNAFU’, people out there know what that means, that’s a ‘situation normal all f***ed up.’”
Even though he says he is sceptical of large organizations such as religion, one event that effected Boutté’s music was singing in the church choir while he was in the military. “I was trying to improve my social status from ‘very poor’ to just ‘slightly poor.’ And it really opened up my repertoire to more gospel music.” he told me as his explanation for why he had joined the military. “It’s not for everyone though, especially not for people who just want to shoot somebody.”
John Boutté has been playing music since he was quite young, starting with the cornet when he was eight years old. When asked what made him want to become musical he replied laughingly, “It’s like asking me why am I black, I can’t help it! I was born with this feeling to make music ever since I was a kid.” One story he remembers was that when he was a kid, he would sing the same songs over and over and over again, just to annoy his siblings. “It would drive my sisters and brothers up the wall,” he explained to me, “and I realized, ‘Wow! There’s something to this, I’ve got power in this voice!’”
I too have been playing music since I was around his age, and after every interview at the FolkFest this summer I asked for some words of advice. I did the same with John Boutté because I definitely wanted to hear what he might have to say. John spent a day with Stevie Wonder when he was younger, and so he gave me some advice that Stevie had given him years earlier. “He said these two words that were very befuddling at first. He said ‘patience’ and ‘determination.’” And those are two words that I will remember in the years ahead as I explore the world of music and as I continue playing my own music.
